Theory does not motivate my work. When I have the opportunity to read, I usually read short stories or science articles. Right now I’m reading about Henri Poincaré, one of the founders of the field of topology. I only sometimes think of my work as abstract. I think it’s more ambiguous than that. Most recently, I’ve been working on woven pieces that take the image of a corner as a starting point. And I think you could make as good an argument for my ‘Fold’ paintings being representational, realistic or even trompe l’oeil, as you could for them being abstract. There is a direct, 1:1 relationship between every point on the surface of the image and that same exact point on the surface in the image. Because I spray the creased canvas directionally, the pigment acts like raking light and freezes a likeness of the contoured material onto itself. It develops like a photo as I paint. The record of that topological moment is carried forward after the material is stretched flat. Each point on the surface contains a record of itself in that previous state.